The technique I used was a simple refocus
during the long exposure. Each shot was about a second long, sometimes two. I’d
start out of focus, and when I heard the explosion I would quickly refocus, so
the little stems on these deep sea creature lookalikes would grow into a fine
point. The shapes are quite bizarre, some of them I was pleasantly surprised
with.
Cosa succede durante i fuochi d'arficio. Qui c'è tutto il set.
